Weekend of Selling – Get your Christmas Accessories Here!


So, after beating Nano and writing a huge chunk of my first novel (using none of the ideas I had previously been working on…), it’s time to switch my attention to the business of selling. As well as my Dainty Dora shop on Folksy, I have a whole weekend of selling lined up. Yes – me in person, selling. It’s been a while.

First up, Make Do & Mend at Platform, Easterhouse on Saturday 3rd December from 11am – 3pm. A super fantastic venue, a vintage vibe, a production of ‘A Victorian Christmas’, a vibrant cafe and a multitude of stalls selling wonderful wares – a top day out for sure.

Find me with my oh-so-popular handmade button brooches, vintage domino brooches, corsages, fabric necklaces, maybe a fascinator or two…AND a selection of beautiful hand knitted baby blankets, cardigans and booties by my very own Mum:) She is always in demand for her knitting!

Oh yeah. See you there for some crafty chit-chat and a chance to bag some unique, handmade gifts for that Christmas stocking.

All the deets are here. Ooh, nice stand, who made all those amazing items? I wonder….

 

*** AND IF THAT WASN’T ENOUGH ***

 

The following day – Sunday 4th December – will find me setting up stall for the very first time at the brilliant Little Birds Market at Sloans off Buchanan Street/Argyle Street. That’s INSIDE out of the rain and the wind, in the stunning ballroom upstairs. It’s a regular indoor market and I’m very excited about my debut, just in time for Christmas. There will be some amazing goodies, surprise gifts and treats on the day. Fabulous. 12noon – 5pm.

Hope to see you at one of these events next weekend, which both have totally FREE ENTRY!

Rebecca x

 



Conversation, Interrupted


How difficult is it to have a conversation? Not difficult at all you might say. Only I’ve noticed recently that it can be fraught with interruptions and that each train of thought is derailed so many times the point being made is infinitely diluted to the merest nothing; a cosmic vapour; sound bombs lost in a chilly October wind.

Example 1

The Scene: City Centre Car Park with Husband

The Scenario: Constant noise/situation pollution stamps out all attempt at sustained conversation

Upon exiting the car, I being a conversation (can’t remember what about now…) Having parked on the roof of said carpart, we have to walk downstairs, passing through a stairwell that stinks of piss. I hold my breath. Doors are opened and held and closed. I carry on my thread of conversation. We have to show our car park token to an attendant and wander along the busy platform of the train station. Falling back into step, I continue, only to be interrupted by a tannoy announcement about a delayed train. OK – carry on. The tannoy announcement is repeated. Start again. Refuse free newspapers/magazines, and wander along the street. Building work, pneumatic drills, noise pollution so loud we can’t carry on a conversation. Walking uphill, people in front smoking so I get a lungful of second-hand smoke. Thanks. I forget what I was saying and give up.

Example 2

The Scene: Shopping with the Mothership

The Scenario: Visual disruptions make conversation futile

Me (with burning desire to off-load facts): “So, you know how I told you about [key topic at forefront of mind]…”

Mothership: “Erm, remind me again. Ooh, look. Aren’t they lovely. Shall we go in [passing a shop window]?”

Me: “OK. Yeah so remember…”

Mothership: “Oh before I forget did I tell you I won £5 on the Thunderball again? I meant to say on the phone. It really is better than the normal lottery. Anyway, go on.”

Me: “Right, well the thing is…”

Mothership: “Is that [random person] over there?”

Me: “No.”

Mothership: “Sorry. You were saying…I must just nip in here to get those special porridge oats actually. Hang on a minute.”

Me: “Shall we go for a coffee so we can sit down properly?”

Mothership: “Good idea. I’ll just nip to the loo.”

Me (internally): Why do I bother?

 And it’s not just these scenarios that leave me irritated by interruptions and unable to converse. Restaurants are places where many crimes against conversation are committed.

Picture the scene – you meet up after work for a mid-week meal out OR set out on ‘date night’ for a romantic evening. Shown to your table, you order drinks, bit of chit chat, peruse the menu, then the evening can begin. Soaking up the atmosphere, recounting anecdotes from the day, catching up on conversation…until they bring out the bread rolls and butter, swap some cutlery about and perhaps uncork a bottle of wine at the table. Then the candle – if not already – has to be lit/swapped/snuffed. All of these interruptions take place at non-consecutive times, giving you just enough time inbetween to start out on a protracted thread of convo, but stare awkwardly at each other for the duration of the interruption, de-railed and confused.

“Are you ok for drinks?”

“Bloody fine – we’re having a convo, yeah?”

Then the meal arrives. Great stuff. Starving. Start eating, then just as you have a mouthful of food, they come over and ask if everything is OK.

“Mmmph. Thanhgihgks.”

When you finish eating, you just want the plates cleared and they are NO-WHERE TO BE SEEN, OR, you’re so thirsty and need another drink and can’t do anything to grab someone’s attention.

Dessert. Maybe. You’ve got a few questions perhaps about what each one includes/entails/is made of. Your heart is set on the mouth-watering-brilliant-super-seductive-whatever-with-ten-cherries-on-top. Oh but they don’t have that. Didn’t they say when they gave you the menu? Ooops.

Right, just the bill then. But everyone is gone; in hiding. It’s like a ghost-town and no-one wants to rattle your chains. You’re so full, you’re glad they didn’t have that sumptuous-sounding dessert. But now you just want to get home/get to the pub/lie down and die in super-soft pyjamas.

Not for nothing will they notice you now. You’re over as far as they’re concerned. If you aren’t ordering anything more and they’ve pumped you for all the coffee you can drink, what’s the point in wasting their energies on you? Until you start getting your scarf, hat, gloves and coat on. That does it. The conversation though? What conversation.

So it’s just the interminable wait for the card machine to crunch through your plastic; everyone staring at it, willing it to work, to spit out the thin papery trail of your romantic evening as you suck on a mint. Unless you want to add some gratuity?

No, I WANT TO BE LEFT IN PEACE TO HAVE A PRIVATE CONVERSATION!!!!!!!!!!!!



West End Day


Girl with gloves

Had a fun day out in the West End yesterday with the Madre. It was a year to the day since she had a brain haemorrhage and nearly died, spending a month in hospital. We wanted to make it a special day out, and celebrated life in general with lunch and shopping and animated chat with a hint of friendly bickering.

Now that I’m dedicating my days to writing The Family Saga (it would be a crime for it not to be told), I am finding procrastination a real foe. It lurks in my morning cup of tea and tricks me into doing the dishes as a matter of priority, rather than focus on the writing at hand. Then just when I am settling down at my desk, it springs a phone call on me; a wrong number or a telesales person to lure me off track. Who was it that said “thinking about writing is not writing; only writing is writing”? So simple. So true.

Yesterday was a ‘free pass’ day to get inspired, play about and come back refreshed. Being a Tuesday, it was also ‘our day’ of the week, my Mother and me, for going somewhere, meeting up, gossip.  We lunched in Zizzi’s off Byres Road, both choosing a delicious risotto – pumpkin and butternut squash for me, chicken and the dreaded funghi for her. “Does this come with rice?” she asked the waiter, despite my reassurances that of course it did, being a risotto and all.

As we tucked in, mine accompanied by ‘Goddess’ olives – apparently fresher than normal olives – I lamented my lack of progress towards my writing goals, expressing my worry that the Writing Police would come after me. For all I knew they had my details on their radar as we ate; were sniffing me out to publicly embarrass me and strip me of my self-appointed title of ‘writer’. What could I possible do to defend myself against such an offensive? She reassured me that the Writing Police don’t actually exist, and we discussed what a big change and a big step it is that I am taking, so it’s perfectly normal not to be in a routine as yet. I agreed and promised myself I would Get Back on Track. Tomorrow.

As we left Zizzi’s a few splotches of rain were gearing up for an onslaught, so we headed for the Nancy Smillie Shop for which I had an as yet unspent birthday voucher. I knew within a few minutes what I wanted to spend it on – a beautiful rugged throw in malted browns and dreamy heathers, all upcycled eco greatness with an enduring rough-hewn texture that I know will last and last and be loved forever more.

Immediately I had a flash-forward in my head of picnics in the summer, the blankety throw snugly waiting in the boot of the car for just such an outing. Perhaps Easter weekend in the garden (atop a waterproof layer of course), sprawled round a family BBQ? Or in the spare room (that mythological creature) as an extra guest blanket, layered nicely over the vintage suitcase I had yet to discover. The muted but elegant hues with a splash of smart navy pizzazz would perfectly meld with that of our room; the weight of it providing reassurance on stormy winter nights or in the throes of a nasty flu. In the living room by the fire it could drape casually over a chair or stack artfully all folded and neat and nice. If I had a caravan or Winnebago, it would be the first thing I’d pack for any journey. It wouldn’t be out of place on the beach. I’m wrapped up in it now…

Oh how many uses, how many wonderful memories to come. And perhaps in another 30 years I will pick up the blanket, pilling slightly with frayed tassels, smelling of wear and care and love, and remember the day I bought it when I was 30 years old with my Mother on a blustery April day down Byres Road, on the anniversary of her brain haemorrhage. I won’t be sad, but it will be significant. Just like the blanket. Just like life.

Snapping back from my reverie, buoyed by my decisive instincts on the blanket purchase, we continued on to the Ruthven Mews Arcade of antiques and vintage objets d’art.

Was it a coincidence that browsing through a box of old postcards (I LOVE old postcards!) I found a bundle of Marine Art Poster postcards and I knew before I saw it there was going to be one depicting the very ship that begins The Family Saga? The Cunard line ship that brought home my Mother and my Nana from South Africa in 1946 – the Samaria. The one I researched for hours online and described in my prose with a searing accuracy, now that I could see it for real? I was stunned and would have handed over any amount to secure that postcard, though luckily the cost was really only 50p. So I bought the Mauretania too.

This discovery sparked a recounting of remembered events and experiences, all entirely pertinent to the plot at hand. Had I known that the Samaria had in fact been chopped up for match wood at the end of its useful life? No. How many matches then – 500,000? 500,000,000? A billion? How many stories did that ship have the pleasure (or the pain) of igniting in its lifetime? How many lives did it unwittingly touch?

Another revelation, a darker revelation, went something along the lines of my Mother, on the ship, 18 months old at the time and happily playing in the crèche. A strange male figure who lingered and fidgeted around the crèche for a good part of his time on-board took a shine to her. My Nana, a no-nonsense woman…actually no, what does that even mean? She was rather full of nonsense at times so that wouldn’t be true. A responsible woman is better. She had a bad feeling about this man anyway. Bad feeling = bad man and she swiftly removed my Mother from the clasps of this louche loiterer who wanted to rock her on his knee and hold her tiny hand.

Years and years later she sent a cutting from the newspaper to my Mother, announcing the man’s death. He had been a child molester and a child murderer. A Mother knows. Thank god for Mother’s instinct.

So then we sallied forth and gazed and gushed over a selection of other precious findings, some overpriced tat, but mainly out-of-our-league magnificence, amazing curios and delightful little knick knacks. Until we reached the over-powering authenticity of second hand and vintage clothing – amazing though it is, sometimes, after a long afternoon of wandering it gets too much and you just need Fresh Air.

So we left, me whining because I didn’t have the cash on me for an amazing suitcase find and you can’t use cards (am I too posh to carry cash, or is it just that I don’t have any cash to carry?), and as we got out into the sun-smattered cobbles of the lane they instantly blotted with rain. Neither of us had coats and there is only so far a pashmina can take you during an unseasonable storm. We ran for it and then the hails came down so we sheltered under the canopy of Thorntons. Then my phone rang. Husband. “Are you having a good day?” My little mesh summer bag was wet and I was fearful for the postcards – “Yes. No. It’s hailing. Got to go.” He has that sixth sense for phoning in an emergency. Run to the car and we’re soaked and need a cup of tea. Get back to Mum’s and make tea and have Easter nest cornflake cakes and talk family history until dusk settles in.

It’s an auspicious day and we’ve had a lovely time together and it was worth every second. I only wish it had gone that way a year ago. Then she sneaks into her treasure chest of goodies and gives me a Galaxy Easter egg and brings out a canvas wrapped in a bin bag. “Is now a good time for your final birthday gift?” she asks me. I nod, and can’t imagine what is under there, though a conversation we had the week before about art brings it back. I know really. I know what it is.

When I was studying Higher Art I was obsessed with chiaroscuro and the artists that used it. She pulled the canvas from the bin bag and a neatly wrapped mass of bubble wrap was presented. I could see it. I could see what was underneath. Tamara De Lempicka. It was an ‘original copy’ of a beautiful work, the lady in a green dress or ‘Girl with Gloves’.

She bought it for me specifically with the money she got from selling some old gold jewellery of my Great Grandparents, who I unfortunately never met. They raised her and meant everything to her and she wanted me to have a gift from them to mark my 30th birthday. She said it was a gift of a beautiful woman, from a beautiful woman, to a beautiful woman. It was significant. I just stared at the canvas.

Her Art Deco elegance, her careful poise, the coy but somehow sad tipping of the wide-brimmed hat. The enduring sage of her dress that sometimes appears emerald, other times dampened down chartreuse. She is herself a Pandora of possible interpretations and from now on she will be my muse. My Writing Police. My lady luck with the joyous curls and sharp talon-esque gloves.

What a wonderful, wild-weathered whisper of a day. It was significant. I miss living in the West End.